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1.
asto ilunno 31:25

about

ISR1-13 miguel a. garcía . tomas gris . lee noyes - asto ilunno

miguel a. garcía : electronics > www.xedh.org
tomas gris : objects > tomasgris.wordpress.com
lee noyes : piano > www.leenoyes.com

cover drawing by nick hoffman

credits

released October 21, 2013

"A Celtic goddess of the dawn? That was one of the rare hits I received when running Asto Illuno through Google. In any case, we have a brief (30+ minutes) trio excursion into AMMish territory from Garcia (electronics), Gris (objects) and Noyes (piano). It's much more subdued than I would have guessed going in, beginning with pointillist probing, expanding to twitters and short pulses. resisting long tones but assuredly retaining the flow. The dynamics gradually increase as does the density of the sound, the pulses growing harsher though the piano correspondingly works low and calm, gruffly anchoring things. The essential structure follows the traditional AMM arc, something that has long since become almost routine yet, when performed with a combination of sensitivity and imagination, as is the case here, still has the ability to satisfy. The (seemingly) cracked electronics offers a broken mirror to the piano, the trio negotiating that rise and fall quite well before amusingly falling to pieces in the past couple of minutes in a tangle of boops, bleeps and bangs. A solid, thoroughly enjoyable recording." Brian Olewnick

"Je me souviens, en ce jour un peu spécial, des premiers disques de musique sans direction que j’ai entendus dans ma vie. Non-directionnel, John Cage ? Non-directionnels, Derek Bailey et Cyro Baptista ? Non-directionnel, le SME ? Des années plus tard, des jours et sûrement des mois de musique non-directionnelle plus tard, j’en écoute encore, et lorsqu’elle est récente, j’y distingue de plus en plus de flèches.
Des flèches ici dans le piano de Lee Noyes, des flèches dans l’électronique de Miguel A. García, des flèches dans les objets de Tomas Gris… Des flèches partout et encore, qui indiquent des influences, des personnages, des paysages que j’ai moi aussi un jour traversé en flânant ou en courant mais en imagination, pour ne pas dire par l’oreille. Les flèches d’Asto Ilunno ont d’ailleurs un drôle d’effet sur moi puisque je leur obéis : je fais quelques pas vers ce vieux disque d’AMM que je n’ai plus écouté depuis des lustres, époussette ensuite la pochette d’un CD de Klaus Filip. Reviendrai-je un jour (un de ces jours un peu spéciaux) à Asto Ilunno parce qu'il m'aura été indiqué par la carte improvisée de je ne sais quel disque futur?" Le son du grisli

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